January 27, 2022
Abstract Affordances and platform dynamics have often been studied as part of digital anthropological work (e.g., Costa 2018; Bareither 2018; Madianou & Miller 2012). However, these […]
January 27, 2022
Abstract Using the example of my research on Afrobeats, this talk aimed to explore the possibilities of TikTok as a digital field site for ethnographic research […]
January 27, 2022
Abstract With its focus on sustained participation and dialogic engagement across different media and their contexts of use, ethnography is particularly suited for the study of […]
January 27, 2022
Abstract This talk shared examples from hybrid online/offline music ethnography that help listeners ask theoretical, ethical, and practical questions about modes of sharing information. Thinking through […]
January 27, 2022
Abstract In the past decade, K-dramas have engaged in varying levels of generic hybridity. This paper takes interest in a cycle of rom-com series that have […]
January 27, 2022
Abstract Labor market identity and professional networks have been two important pillars for understanding creative careers advancing outside of organizational boundaries. Despite the fact that identity […]
January 27, 2022
Abstract Inasmuch as the Nigerian film and music industries have achieved similar levels of recognition, if not acclaim, globally, the route to achieving that has been […]
January 27, 2022
Abstract In Neue Medienökonomik (2006), Michael Hutter suggested that the emergence of new information goods, particularly cultural and creative goods, follows a spiral movement: praise and […]
January 27, 2022
Abstract In the aftermath of apartheid, South Africa embarked on an ambitious revision of its intellectual property system. This paper explores the role of copyright in […]