Adler, Tabitha. (forthcoming) ‘The Korean Idol Industry: Nation Branding and Cultural Hybridization’. In: Distributed Productivities: Digital Transcreation and the New World Order of Cultural Production. Eds. Hediger, Vinzenz, Matthias Krings, Bertram Lang, Cornelia Storz. Lüneburg: meson press.

Adler, Tabitha (forthcoming). “Cultural Diplomacy, Global K-Pop Fans, and the Korean Government: A Case Study on Strategies to Employ K-Pop Fans as Cultural Diplomats”. In: De/Centering “Soft Power”: How Cultural Industries and Policies Interact in Digital Nation Branding. Eds. Egbert, Amoncio, Sonia Campanini, Bertram Lang, Tom Simmert.

Ahn, Yonson (ed.).2023. Korea and the Global Society: Engagement, Reciprocity, and Tension, London: Routledge.

Ahn, Yonson. 2022.“‘Unending Journeys’: Migration Trajectories of Korean Im/migrants in South Africa”, Korea Journal, vol. 62, no. 4 (Winter 2022): 137-170. 

Ahn, Yonson & Jihye Kim. 2022.“Korean Migration in the Global South: Contextualizing Migration Trajectories and Complexities”, Korea Journal, vol. 62, no. 4 (Winter 2022): 5-17.

Amoncio, Egbert (forthcoming). “AI for Detecting Weak Patents”. Research Policy.

Amoncio, Egbert (forthcoming). “When Patent Policies Harm Performance: Multiple Work-related Identity Conflict”. Organization Science.

Amoncio, Egbert. „Evaluation of Design Non-obviousness“, in: Academy of Management Proceeding, Vol. 2023, No. 1, Published Online: 24 Jul 2023 https://journals.aom.org/doi/abs/10.5465/AMPROC.2023.19776abstract.

Amoncio, Egbert, Chan, T. H., and Storz, C. 2023. “Computer Vision for Visual Analysis: New Insights From Product Design Visual Similarity”, in: Academy of Management Proceeding, Vol. 2023, No. 1, Published Online: 24 Jul 2023
https://journals.aom.org/doi/abs/10.5465/AMPROC.2023.16890abstract.

Campanini, Sonia (forthcoming). “Streaming Nollywood before Netflix: IROKOtv and the Global Distribution of Nigerian Cinema”, in: Matthias Krings, Vinzenz Hediger, Cornelia Storz (Hg.): Dis/Ordering Distribution: Thinking about the Productive Force of Infrastructures, Formats and Regulations. Research in the Sociology of Organizations.

Campanini, Sonia (forthcoming). “Koloniale Filmkulturen, potentielle archivarische Gewalt und kuratierende Praktiken”, in: Dagmar Brunow, Katharina Müller, Archive, Frauen und Film Heft 72.

Campanini, Sonia (forthcoming). “La circolazione digitale del cinema coloniale africano nelle piattaforme di Archivio Luce e Colonial Film”, in: Valentina Fusari, Gianmarco Mancosu, Micaela Veronesi (Hg.): Afriche di Celluloide. Produzioni, circolazione, pratiche di archiviazione e di riuso. Immagine. Note di Storia del Cinema no. 27 (i.E.).

Campanini, Sonia (forthcoming). ‘Remaking Video Nollywood in the Digital Era: Distributed Productivities Between Entrepreneurship and Heritage’. In: Distributed Productivities: Digital Transcreation and the New World Order of Cultural Production. Eds. Hediger, Vinzenz, Matthias Krings, Bertram Lang, Cornelia Storz. Lüneburg: meson press (forthcoming).

Campanini, Sonia. 2023. ‘Digital Presentation of African Colonial Film Cultures, Institutional Platforms and Restitution Politics.’ Immagine. Note di Storia del Cinema no. 27, Afriche di Celluloide. Produzioni, circolazione, pratiche di archiviazione e di riuso. Eds. Valentina Fusari, Gianmarco Mancosu, Micaela Veronesi. http://www.airsc.org/wp-content/uploads/2016/09/CfP-Afriche-di-celluloide.pdf.

Campanini, Sonia. 2023. ‘Nollywood’s Remaking Practices and Networks of Circulation’. In: And Yet it Moves. On Cinema, Media and Mobility. Eds. Simona Schneider, Andrea Mariani. Milano-Udine: Mimesis 2023, 87-95.

Campanini, Sonia. 2023. ‘Accidental Encounters, Incidental Care, and Shared Archival Practices’. In: Accidental Archivism: Shaping Cinema’s Futures with Remnants of the Past. Eds. Vinzenz Heidger, Stefanie Schulte Strathaus. Lüneburg: Meson Press.

Caspar, Steven, Marcela Miozzo & Cornelia Storz (forthcoming). "The Emergence of an Entrepreneurial Ecosystem: The Interplay between Early Entrepreneurial Activity and Public Policy in the Korean Online Gaming Industry", Industry & Innovation (accepted for publication).

Chistinean, Casandra-Angela & Yonson Ahn (forthcoming). „From TV to Online Platform Storytelling: Career Women in Korean Dramas”. In: Distributed Productivities: Digital Transcreation and the New World Order of Cultural Production. Eds. Hediger, Vinzenz, Matthias Krings, Bertram Lang, Cornelia Storz. Lüneburg: meson press (forthcoming).

Chistinean, Casandra (forthcoming). “Reflecting South Korean Career Women: Film Analysis Approach to uncovering Social Constructs”. Situations: Cutural Studies in the Asian Context.

Dorsch, Hauke, Tom Simmert & Markus Verne. 2023. Beyond the Dichotomy: Musical Relations between Africa and the West during the 1980s. Working Paper.

Hediger, Vinzenz. 2024. “Social Interaction Films. Smartphones, Platforms, and the Expansion of Cinema”. In: Platforms and the Moving Image. Eds. Philipp Dominik Keidl, Jana Zündel. Lüneburg: meson press (in press).

Hediger, Vinzenz. 2023. "Das Kapital der Medien. Zur Vermittlung von Produktion und Zirkulation durch das Format am Beispiel des Films". In: Stefan Udelhofen, Dennis Göttel, Aycha Riff (Eds.) Produktionskulturen audiovisueller Medien. Wiesbaden: Springer, 107-142.

Hediger, Vinzenz. 2023. Digital Scavengers and the Limits of the Archive. Excavating Lagos on the Internet. In Accidental Archivism. Shaping Cinema’s Futures with Remnants of the Past. Eds. Vinzenz Hediger & Stefanie Schulte Strathaus. Lüneburg: meson press, 47-64. https://archivism.meson.press/chapters/prolog/digital-scavengers-and-the-limits-of-the-archive-excavating-lagos-on-the-internet/.

Hediger, Vinzenz. 2023. Kunle Afolayan, dir. Citation. Nigeria, 2020. Produced by Golden Effects. Netflix. 151 minutes. English, French, Wolof, Yoruba. Film review https://www.cambridge.org/core/journals/african-studies-review/article/kunle-afolayan-dir-
citation-nigeria-2020-produced-by-golden-effects-netflix-151-minutes-english-french-wolof-
yoruba-no-price-reported/199881DEDC462D2D9BE099CFE205E65B.

Nyam Esther, und Hediger, Vinzenz. 2023. “Trust in Shared Narratives: Docudrama and Reenactment of Violent Conflict in Benue and Plateau States, Nigeria”, in: Matatu, Journal for African Culture and Society https://brill.com/view/journals/mata/54/2/article-p249_5.xml .

Hediger, Vinzenz. 2023. “The Aesthetics of the Global Value Chain. Container Shipping, Media Networks, and the Problem of Visibility in the Global Sphere of Circulation”. In: Films that Work Harder. The Circulations of Industrial Cinema. Vinzenz Hediger, Florian Hoof, Yvonne Zimmermann. Amsterdam: Amsterdam University Press, 36-101.

Hediger, Vinzenz. 2022. “From Miasma Theory to Digital Ghost Town. Tales of Infrastructure and Social Politics in the Twenty-First-Century Megalopolis”. In: Technology, Urban Space and the Networked Community. Eds. Ananya Roy Pratihar, Saswat Das. London: Palgrave Macmillan, 217-242.

Hediger, Vinzenz. 2023. "Das Kapital der Medien. Zur Vermittlung von Produktion und Zirkulation durch das Format am Beispiel des Films". In: Stefan Udelhofen, Dennis Göttel, Aycha Riff (Eds.) Produktionskulturen audiovisueller Medien. Wiesbaden: Springer, 107-142.

Hediger, Vinzenz. 2023. Digital Scavengers and the Limits of the Archive. Excavating Lagos on the Internet. In Vinzenz Hediger & Stefanie Schulte Strathaus (Eds.) Accidental Archivism. Shaping Cinema’s Futures with Remnants of the Past. Lüneburg: meson press. https://archivism.meson.press/chapters/prolog/digital-scavengers-and-the-limits-of-the-archive-excavating-lagos-on-the-internet/.

Jeduah, Bakar Abdul-Rashid & Tom Simmert. 2023. Debating the Ethics of Ownership and Appropriation in Global Digital Afrobeats Culture. Working Paper.

Jeduah, Bakar Abdul-Rashid & Tom Simmert. 2023. Afrobeats on TikTok: Unraveling the Success of CKay's "Love Nwantiti". Working Paper.

Krings, Matthias & Solomon Waliaula. (Forthcoming). "Korean film and popular arts in Kenya: the oral remaking of Fabricated City by DJ Afro". In: Distributed Productivities: Digital Transcreation and the New World Order of Cultural Production. Eds. Hediger, Vinzenz, Matthias Krings, Bertram Lang, Cornelia Storz. Lüneburg: meson press (forthcoming).

Kunzmann, Janika & Nassenstein, Nico. (forthcoming) “Bringing research perspectives together in the study of Lingala: A synopsis” In: Nassenstein, Nico & Janika Kunzmann (Hg.), Lingala: Current topics in the study of Lingala/Sujets d’actualité [Mainzer Beiträge zur Afrikaforschung 47]. Köln: Rüdiger Köppe Verlag.

Nassenstein, Nico & Carter Omende. (forthcoming) “Langila and its use in social media: A corpus-based approach to creativity and innovation“ In: Nassenstein, Nico (Hg.), Current topics in the study of Lingala/Sujets d’actualité dans l’étude du Lingala [Mainzer Beiträge zur Afrikaforschung 46]. Köln: Rüdiger Köppe Verlag.

Nassenstein, Nico. 2023. “Venezuela hawaii, chelsea!” – Creative onomastic references and playful branding in Langila from the Congo. International Journal of Language and Culture. (submitted)

Nassenstein, Nico & Janika Kunzmann.Eds. Lingala: Sujets d’Actualité / Current Topics. Cologne: Rüdiger Köppe. (submitted)

Nassenstein, Nico, Vigeland, Friederike, Ulrike Zoch, Axel Fanego Palat & Magdalena Roguska-Heims. 2023. Hochschulübergreifendes interdisziplinäres Blended Learning-Seminar “Jugendsprache und mobile Kommunikation in Afrika”. JGU Mainz, Zentrum für Qualitätssicherung und -entwicklung. Online-Publikation. [https://www.zq.uni-mainz.de/files/2023/05/Jugendsprache-und-mobile-Kommunikation-in-
Afrika-.pdf]

Nwankwo, Izuu, Daniel Hammett & Laura S. Martin. 2023. Humour and Politics in Africa: Beyond Resistance. Bristol: Bristol University Press, 168 S.

Nwankwọ, Izuu. 2023. ‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts. European Journal of Cultural Studies, 0(0).

Nwankwọ, Izuu. 2023. "Politics, Jokes and Power in Africa: The View From Stand-Up Comedy". African Studies, 82(3-4), 264–280.

Nwankwọ, I., & Chukwu-Okoronkwo, S. O. 2023. "The Indigenous Origin of Intermediality in Nigerian Stand-up Comedy". Matatu 53(1-2), 142-161.

Nwankwọ, Izuu (ed.). 2022. Stand-up Comedy in Africa: Humour in Popular Languages and Media. Stuttgart: ibidem-Verlag.

Nwankwọ, Izuu.  2022. “Ambivalence in the Stand-up Acts of Nigeria’s Mr Paul and Klint da Drunk.” JALA: Journal of African Literature Association, vol. 16, no. 2, pp. 332-347, https://doi.org/10.1080/21674736.2022.206773.

Nwankwọ, Izuu. 2022. “Self-censorship and Shifting Cognitions of Offence in the Stand-up Acts of Basket Mouth and Trevor Noah.” Journal of African Cultural Studies, vol. 34, no. 2, 129-142, https://doi.org/10.1080/13696815.2021.1968806

Nwankwọ, Izuu. 2022. “Introduction – Old Wine in a New Bottle: Stand-up Comedy and Its Dispersal across Africa.” Stand-up Comedy in Africa: Humour in Popular Languages and Media. Ed. I. Nwankwọ, 11-42. Stuttgart: ibidem-Verlag.

Tunca, D., Nwankwọ, Izuu. 2022. “Confronting Racism in Cécile Djunga and Trevor Noah’s Stand-up Comedy.” Stand-up Comedy in Africa: Humour in Popular Languages and Media. Ed. I. Nwankwọ, 45-66. Stuttgart: ibidem-Verlag,

Röschenthaler, Ute. 2022. African Agency in China’s Tea Trade: Commercial Networks, Brand Creation and Intellectual Property. Leiden: Brill.

Röschenthaler, Ute. 2023. Chinese-manufactured commodities and African agency in the democratization of consumption: the example of electronic devices in Cameroon. Critical African Studies 15, 1: 53-72 (special issue “Chinese goods in Africa”, hg. Von Guive Khan-Mohammad and Antoine Kernen).

Röschenthaler, Ute. 2023. “Intellectual Property and the Judicialisation of Cultural Production: An Anthropological Perspective”. DADA: Revista di Antropologia Globale, Dezember (Special Issue on Anthropology of Law).

Röschenthaler, Ute. 2023. „Streaming platforms and the music industry crisis in Cameroon” für einen Special Issue “Pop music production and regulation online in Africa and beyond”. Eds. Alexander Peukert and Ute Röschenthaler. Legal Anthropology. Volume 2, Issue 2.

Alexander Peukert & Ute Röschenthaler. 2023. “Introduction: Pop music production and regulation online in Africa and beyond” Legal anthropology (Special Issue “Pop music production and regulation online in Africa and beyond” (hg. von Alexander Peukert und Ute Röschenthaler).

Röschenthaler, Ute & Wale Adedeji (forthcoming).“Streaming services as brokers in the music industry crisis in Nigeria”. Special Issue. Eds. Nadeeka Arambewela-Colley, Birgit Bräuchler und Kathrin Knodel, Cultural Studies.

Simmert, Tom. 'Sounds from the “Center of Excellence”: Nigerian Afrobeats and the distributed productivities of global platforms'. In: Distributed Productivities: Digital Transcreation and the New World Order of Cultural Production. Eds. Hediger, Vinzenz, Matthias Krings, Bertram Lang, Cornelia Storz. Lüneburg: meson press (forthcoming).

Storz, Cornelia, Egbert Amoncio & Rajesh Ramachandran (forthcoming). When Learning From External Sources Does (Not) Increase Performance. In-Press, Entrepreneurship Research Journal (accepted for publication, open access).

Storz, Cornelia & Na Zou. 2023. ‘Why do some entrepreneurs thrive? A network content perspective’. Journal of Business Research 161: 113821. https://doi.org/10.1016/j.jbusres.2023.113821

Storz, Cornelia , Tobias ten Brink, & Na Zou.2022. Innovation in emerging economies: How do university-industry linkages and public procurement matter for small businesses?. Asia Pacific Journal of Management 39: 1439–1480. https://doi.org/10.1007/s10490-021-09763-z

Storz, Cornelia , Steven Casper & Marcela Miozzo (forthcoming). ‘Digital creatives and digital engineers: Industry identity, digital technologies and product concept and development principles’. Socio-Economic Review (accepted for publication).

Storz, Cornelia, Egbert Amoncio & Tian Chan. 2023. ‘Computer Vision Approaches for Visual Analysis: Building Insights from a New Measure of Product Design Visual Similarity’. Working Paper.

Storz, Cornelia & Thanos Fragkandreas. 2023.‘Striking the Golden Mean - Identity Consistency and Innovation in the German Games Industry’. Working Paper.

Storz, Cornelia, Egbert Amoncio, & Rajesh Ramachandran. 2023.‘Digital Marketplaces and Entrepreneurs in Sub-Saharan Africa: The Impact on Market Access and Performance’. Working Paper.

Storz, Cornelia, Daniel Ehnes & Lars Schweizer. 2023. ‘Comparing Labour-Cost Retrenchments in Times of Crisis: How Investors React to the Flexible and Rigid Strategies of Innovative Firms’. Working Paper.

Storz, Cornelia, Steven Casper & Marcela Miozzo. 2023. ‘Bounded innovation in digital industries and the local innovation ecosystem: the case of the early Korean online games industry’. Working Paper.

Storz, Cornelia & Marlene Herz. 2023. ‘Government R&D Subsidies, TMT Diversity, and Innovation’. Working Paper.