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January 28, 2022

Remaking Nollywood: Networks of Circulations and Memory Constructions

Over the last few years the so-called New Nollywood industry has produced several films that are remakes or sequels of Old Nollywood movies from the video […]
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January 20, 2022

Dynamic Optimal Distinctiveness in South Korean Films

The sub-project investigates optimal distinctiveness under the contingency of time, focusing on South Korean films and using Computer Vision to elicit the novelty of films.
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January 28, 2022

Archival Access and Artistic Creation: Nigerian Film Heritage in the Novelty Spiral

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February 1, 2022

Transformation of the Korean Wave

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January 28, 2022

South Korean Cinema and Taiwan

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January 28, 2022

The Other Nollywood: Documentary Filmmaking Using Digital Technologies to Re-enact African History

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February 1, 2022

Appropriation and Diffusion of Nigerian Media and Media Production in Kinshasa (DR Congo) in the Context of Linguistic and Socio-Cultural Change

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April 8, 2025

Interface of Promotion/Distribution in Entertainment Corporations

The sub-project investigates optimal distinctiveness under the contingency of time, focusing on South Korean films and using Computer Vision to elicit the novelty of films.
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April 8, 2025

DIGITAL DISTRIBUTION AND/AS SOFT POWER: INSTITUTIONS AND INFORMAL NETWORKS

The sub-project investigates optimal distinctiveness under the contingency of time, focusing on South Korean films and using Computer Vision to elicit the novelty of films.
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