Abstract Inasmuch as the Nigerian film and music industries have achieved similar levels of recognition, if not acclaim, globally, the route to achieving that has been […]

Abstract In Neue Medienökonomik (2006), Michael Hutter suggested that the emergence of new information goods, particularly cultural and creative goods, follows a spiral movement: praise and […]

Abstract In the aftermath of apartheid, South Africa embarked on an ambitious revision of its intellectual property system. This paper explores the role of copyright in […]

Abstract Digital technologies bring huge changes in stimulating music creation, distributing music, and enhancing the audio-visual experiences of humans. Folk music, embracing ethnic minority groups’ unique […]

Abstract Afrobeats, which is the catch-all term for popular music from Nigeria and much of West Africa, has enjoyed increasing global attention in the 21st century. […]

Abstract Cultural entrepreneurship research has grown dramatically over the past couple of decades. This talk provides a brief overview of cultural entrepreneurship theory based on the […]

Abstract Alice Lam has been asked to comment on Michael Lounsbury’s talk on cultural entrepreneurship by drawing on her research on identity, hybridity, and creativity. The […]

Abstract Commenting on the keynotes of Michael Lounsbury and Alice Lam. About the Speaker Steve Casper is Henry E. Riggs Professor of Management at Keck Graduate […]

Abstract Ghana’s historical audio-visual archives are largely inaccessible. As such, there is a disconnect between current cultural productions and what already exist. On the national level, […]